With a declarative vision shaped by far-reaching influence, Tess Tomassini explores the politics of image-making in her multi-disciplinary practice. Her work spirals across painting, printmaking, photography and performance, often involving collaborative methods. An interest in repetitive gestures - or ‘echoes’ - informs the artist’s approach to both concept and process. In her work, images are reproduced, reflected and recast, complicating their original meaning. Tomassini articulates these contradictions with an expressive power, revealing the tension between perpetuation and absence.
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The Critic
