With the romantic sensibility of an architectural folly, Erika Trotzig’s corporeal structures appear on the verge of collapse. Her tactile sculptures, from largescale ‘anti-monuments’ to palm-sized fragments, hover between the human and the architectural, the industrial and the handmade. Her technique is rooted in a formative understanding of texture, volume, and construction. Sensual and undogmatic, these works imagine alternative modes of embodiment.
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Where's The Frame
